Close beside the board there was a pool of water， not very deep， nor very clear， but calm enough to reflect， with impartial truth， every image that felt upon it. There for the first time， as it was lifted from the board， the clay saw its new shape， the reward of all its patience and pain， the consummation of its hopes—a common flower-pot， straight and stiff， red and ugly. And then it felt that it was not destined for a king' s house， nor for a palace of art， because it was made without glory or beauty or honor； and it murmured against the unknown maker， saying， "Why hast thou made me thus？"
Many days it passed in sullen discontent. Then it was filled with earth， and something—it knew not what—but something rough and brown and dead-looking， was thrust into the middle of the earth and covered over. The clay rebelled at this new disgrace. "This is the worst of all that has happened to me， to be filled with dirt and rubbish. Surely I am a failure."
But presently it was set in a greenhouse， where the sunlight fell warm upon it， and water was sprinkled over it， and day by day as it waited， a change began to come to it. Something was stirring within it—a new hope. Still it was ignorant， and knew not what the new hope meant.
One day the clay was lifted again from its place， and carried into a great church. Its dream was coming true after all. It had a fine part to play in the world. Glorious music flowed over it. It was surrounded with flowers. Still it could not understand. So it whispered to another vessel of clay， like itself， close beside it， "Why have they set me here？ Why do all the people look towards us？" And the other vessel answered， "Do you not know？ You are carrying a royal scepter of lilies. Their petals are white as snow， and the heart of them is like pure gold. The people look this way because the flower is the most wonderful in the world. And the root of it is in your heart."